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CompuGhana, Shatta Wale Unveil Hotwav A36, A26 Ultra & Pad 13

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CompuGhana Ltd and Hotwav officially unveil the Hotwav A36, A26 Ultra and Pad 13 at an unboxing event in Accra.

CompuGhana Ltd, a leading technology and IT retail company in Ghana, in partnership with Hotwav, has unveiled three new smart devices — the Hotwav A36, A26 Ultra and Pad 13 — at a colourful unboxing event held at the CompuGhana premises in AirportWest, Dzorwulu, Accra.

The event, which featured Hotwav co-owner Shatta Wale, brought together technology enthusiasts, consumers, brand representatives and industry stakeholders to experience firsthand the latest additions to Hotwav’s growing portfolio of smart devices.

The launch highlighted Hotwav’s growing presence in Ghana’s competitive technology market, with the brand positioning the newly introduced devices around affordability, durability, innovation and practical features for everyday users.

The partnership between CompuGhana and Hotwav also reflects a shared commitment to promoting technology brands with a strong connection to Ghana while making modern devices more accessible to consumers across the country.

Speaking at the event, Marketing Manager of CompuGhana Ltd, Mrs Rita Akua Safoa Nyarko, explained the company’s decision to support Hotwav, citing the durability of its devices and its focus on innovation.

“Due to the durability that comes with the phones. We are committed to innovation and providing our customers with the best technology available on the market,” she said.

Hotwav A36 positioned as affordable entry-level smartphone

Hotwav Brand Manager, Mr Henry Agyekum, said the newly introduced smartphones were developed to provide consumers with more features while remaining accessible to customers working within different budgets.

According to him, the Hotwav A36 is an entry-level smartphone designed to offer everyday functionality while maintaining a focus on affordability and durability.

“We launched the A36 and then the A26 Ultra. The A36 is an entry-level phone where it gives you more, but it’s budget-friendly. The most affordable device, durable device that currently you can find on the market,” he said.

Mr Agyekum also disclosed that Hotwav has added a data package to the A36 offering, giving customers free data for 12 months after purchasing the device.

Hotwav A26 Ultra targets mid-range consumers

The Hotwav A26 Ultra, meanwhile, has been positioned as a mid-range device for consumers looking to move beyond entry-level smartphone specifications while maintaining an affordable price point.

The introduction of the A26 Ultra forms part of Hotwav’s broader effort to give consumers more device options across different segments of Ghana’s smartphone market.

Hotwav Pad 13 brings tablet, keyboard and stylus package

Beyond the two smartphones, Hotwav also used the event to introduce the Hotwav Pad 13, a tablet designed to combine entertainment, productivity and convenience.

Mr Agyekum said the Pad 13 comes with enhanced specifications and accessories intended for users who require a more comprehensive device for work, study and other activities.

The tablet package includes a mouse, stylus pen, keyboard and book cover, while also featuring larger RAM capacity and a battery designed for extended use.

The inclusion of a stylus pen and mouse gives the Pad 13 additional productivity functionality, potentially making it useful for consumers seeking a tablet for creative, professional and everyday tasks while on the move.

Devices available through CompuGhana

For CompuGhana, the collaboration represents another step in its efforts to expand access to technology products and give Ghanaian consumers a wider range of innovative devices to choose from.

The Hotwav A36, A26 Ultra and Pad 13 are available through CompuGhana shops across Ghana and online, according to information provided at the launch.

The combination of CompuGhana’s retail reach and Hotwav’s newly unveiled product lineup adds another dimension to Ghana’s expanding consumer technology market, giving customers access to smartphones and tablet technology across different price and usage categories.

For more technology and business stories, follow Ghana News, Ghana News Live and Top Stories on GhanaMedia.net.

Quodarkie Creator Awards 2026: Bremen Prepares for African Digital Excellence

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BREMEN, GERMANY — The stage is being set for the inaugural Quodarkie Creator Awards 2026, an international celebration designed to recognise creators, influencers, digital innovators and personalities whose creativity and impact are shaping today’s digital landscape.

The awards ceremony is scheduled for Saturday, 7 November 2026, at the Kristall Event Palast, Waller Heerstraße 165, 28219 Bremen, Germany, under the defining theme “Excellence Beyond Borders.”

The initiative was founded in Bremen by Emmanuel Jackson, whose journey into the creator-awards space grew from his own experience discovering how social media can educate, inspire and broaden people’s understanding of the world. Jackson’s vision is to create a platform that gives recognition to the people behind the digital content that influences audiences across geographical boundaries.

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Quodarkie Creator Awards 2026 brings African and diaspora digital creativity to Bremen.

According to GhanaMedia.net’s profile of Jackson, the concept behind Quodarkie developed from a simple question: who recognises the creators producing content that motivates, educates, entertains and inspires thousands of people online?

That vision has developed into an awards platform intended to recognise different forms of achievement across Africa and the diaspora, including creativity, consistency, influence, originality, education, entertainment, positive influence and diaspora achievement.

15 Categories to Recognise Digital Excellence

The 2026 edition features 15 official categories, including Creator of the Year, Best Educational Creator, Best Diaspora Creator, Quodarkie Excellence Awards, Positive Influence Award, Best Event Organiser of the Year, Best Original Concept, Best Comedy Creator, Rising Star of the Year, Most Influential Creator of the Year, Most Creative Creator, Audience Choice Creator of the Year, Best Video Production Quality, Viral Creator of the Year and Best DJ Award (Diaspora).

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Quodarkie Creator Awards 2026: Bremen Prepares for African Digital Excellence 4

The organisers say the categories are designed to reflect the diversity of the wider creator ecosystem, recognising not only highly visible personalities but also educators, emerging talents, production specialists, DJs, event organisers and creators making positive contributions to their communities.

Nominees Represent a Broad Creator Community

The nomination list includes individual creators, digital personalities, DJs, media platforms, event organisations and creative brands. Among the nominees named in the official event material are Woodmadea, Ashantiqueen, Mmrantiehene, Bigscout Nana Prempeh, Emmanuel Yeboah, Sista Kyerewaa, Josephine Benson, Herchairmano (Unees), Ganyobi Official, Sanni Adams, Mattew Ohene, AfroSteps Event, Akwaaba Entertainment Bremen, Ray Talks Podcast, Harrypodtv, YP, Pipapipa Media, Sam Qweeku, Mayor Isaac, Putogo Moses, Chikle One, AbrewaNanaa Media, AB, 99 Bullet, Obaa Tiwah, Flatelo, Face to Fame TV, Noks TV, DJ Game, DJ Sketch and DJ Albert, alongside several event organisations.

Some nominees appear in more than one category, reflecting recognition across different areas of their work.

Public Voting Closes on 21 October

Public participation forms an important part of the awards process. Supporters can vote for nominees through the official Quodarkie voting platform, with voting scheduled to close on Wednesday, 21 October 2026.

Nominees are expected to continue engaging their audiences and encouraging their communities to participate before the deadline.

Creator of the Year Carries an Additional Opportunity

At the centre of the awards is the Creator of the Year category, described by the organisers as the highest honour of the Quodarkie Creator Awards.

The distinction recognises creativity, consistency, influence, audience engagement and overall excellence. Beyond the award itself, the 2026 Creator of the Year will be offered an opportunity to become a Quodarkie Ambassador for 2027, subject to the organisation’s arrangements.

The ambassador opportunity is intended to create further opportunities through selected Quodarkie campaigns, creator initiatives, promotional activities, media appearances and official events during 2027.

From Digital Recognition to a Physical Celebration

The awards night will bring nominees, creators, entertainment personalities, partners, sponsors, media representatives and members of African and diaspora communities together in Bremen.

The ceremony is scheduled to run from 8:00 PM until 5:00 AM, combining award presentations with live entertainment, performances, networking and celebration.

Performances announced for the event include Fameye, Saaani Adams, Sama Darta and Yod Nana.

Tickets and Event Details

Guests can attend through different ticket packages. The official event information lists Regular tickets at €35, VIP tickets at €150 and VVIP tickets at €250.

Date: Saturday, 7 November 2026
Time: 8:00 PM – 5:00 AM
Venue: Kristall Event Palast
Address: Waller Heerstraße 165, 28219 Bremen, Germany

Excellence Beyond Borders

For Emmanuel Jackson and the Quodarkie team, the 2026 ceremony represents the beginning of a broader ambition rather than simply a single awards night.

The long-term vision is to develop Quodarkie into a platform connecting creators with audiences, brands, media organisations, collaborators and opportunities while continuing to recognise creativity and digital excellence across borders.

As Bremen prepares to host the inaugural ceremony, Quodarkie is positioning its first awards night as a meeting point for African creativity, digital culture and the diaspora — bringing online recognition into a physical space where creators can connect, celebrate and build relationships.

Quodarkie Creator Awards 2026 — Excellence Beyond Borders.

Read more on Ghana News, Ghana News Live, Top Stories and the Policy & Law Hub.

Emmanuel Jackson Turns Digital Inspiration Into Quodarkie Creator Awards

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Quodarkie Creator Awards founder Emmanuel Jackson is turning his personal experience with social media into a platform designed to recognise African creators, digital personalities and emerging talents across Africa and the diaspora.

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Emmanuel Jackson, founder of the Quodarkie Creator Awards.

Born in Bremen, Germany, the Quodarkie Creator Awards is built around a simple but ambitious philosophy: “Excellence Beyond Borders.” The initiative seeks to recognise the creativity, consistency, influence, originality and positive contributions of people building communities and inspiring audiences through digital media.

From Social Media to a Bigger Vision

For Jackson, the idea behind Quodarkie began long before the concept of an awards ceremony. His inspiration came from spending time on social media and discovering that digital platforms could offer far more than entertainment.

Through the content he encountered, Jackson says he became motivated, learned new things and was exposed to different ideas, experiences and perspectives. Digital media broadened his understanding of the world and showed him how creators could educate, entertain, inspire and influence people they might never meet personally.

“Social media motivated me and taught me things I didn’t know before. It broadened my scope and my understanding of reality.”

That experience eventually led him to ask a bigger question: Who is recognising the people behind this content?

According to the profile, Jackson recognised that creators can spend countless hours developing ideas, producing videos, educating audiences, building communities and entertaining thousands of people, while emerging African and diaspora creators may not always receive recognition beyond their online audiences.

The Birth of Quodarkie

That idea became the foundation of the Quodarkie Creator Awards.

Established in Bremen, Quodarkie was conceived as more than an awards night. Jackson’s ambition is to build a platform where different forms of digital achievement can be recognised, including creativity, consistency, influence, originality and positive contribution.

The philosophy deliberately extends beyond geographical boundaries. An African creator based in Ghana, Germany or elsewhere in Europe may operate in a different environment and reach different audiences, but digital media allows their work to cross borders almost instantly.

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Jackson’s vision for Quodarkie is centred on recognising digital creativity across borders.

That philosophy is captured in the identity at the heart of the initiative: “Excellence Beyond Borders.”

Building Something From the Ground Up

Turning the concept into a functioning awards platform has required more than creating a name. Quodarkie has developed categories recognising different forms of achievement across the creator community, including emerging and influential creators, educational content, creativity, social impact, diaspora achievement, entertainment and other areas of digital excellence.

The project has also grown to include public nominations, voting, partnerships, media collaborations and preparations for a physical awards ceremony.

For Jackson, building Quodarkie has itself become a learning experience. The same digital environment that initially motivated him to learn has now inspired him to create a platform capable of recognising the people producing that inspiration for others.

It represents a transition from consumer to creator, and from observer to founder.

Bremen Meets African Creativity

The next major milestone is scheduled for 7 November 2026, when the Quodarkie Creator Awards is expected to bring nominees, creators, entertainers, partners and supporters together in Bremen, Germany.

The event is intended to connect African creativity with the diaspora and reflect the increasingly interconnected nature of digital culture.

A creator can publish content in Accra and have it watched in Bremen, London, Amsterdam and beyond within minutes. Quodarkie aims to reflect that reality by creating a platform where recognition can cross the same borders that digital content already crosses.

The awards are therefore intended to communicate more than the presentation of a trophy: they are designed to tell creators that their work has been noticed.

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Quodarkie aims to connect African creativity with audiences and communities across the diaspora.

Recognition Beyond Winning

Another important part of Jackson’s vision is that recognition should extend beyond simply announcing winners.

According to the profile, Quodarkie aims to provide winners with trophies, citations, commemorative souvenirs, digital winner badges, media exposure and opportunities to tell their stories.

The broader ambition is to create a community around the awards where recognition can develop into relationships, collaborations and future opportunities.

The Creator of the Year distinction is also intended to carry an additional dimension, with the recipient having an opportunity to become a Quodarkie Ambassador in 2027, subject to a separate agreement.

The Man Behind the Vision

Behind the developing Quodarkie brand is a founder whose own journey began with learning from digital creators.

Jackson does not frame his inspiration as coming from already knowing everything about the creator industry. Instead, his story began with discovering something new. Social media expanded his perspective, while creators introduced him to information, experiences and ideas that changed how he viewed the digital world.

“Sometimes someone creates a piece of content without knowing the impact it will have on another person’s life.”

That experience ultimately inspired Jackson to transform his appreciation for digital creators into a platform for recognising them.

Looking Beyond 2026

The 2026 ceremony is described as a beginning rather than an endpoint.

Jackson’s longer-term vision is for Quodarkie to develop its identity, strengthen relationships with creators and partners, expand its reach and continue building a credible platform for recognising talent across borders.

Building a new awards platform inevitably requires experimentation, organisation, partnerships and a willingness to improve. For Jackson, that willingness to learn is also where the Quodarkie story began.

A man encountered content online. He learned. He discovered new perspectives. He became inspired. His understanding of the digital world expanded. He developed a vision.

From that vision came a platform designed to turn appreciation into recognition.

Quodarkie Creator Awards 2026 — Excellence Beyond Borders.

Founded by Emmanuel Jackson.

Your creativity matters. Your impact matters. Your excellence deserves to be recognised — beyond borders.

Read more on Ghana News, Ghana News Live, Top Stories and the Policy & Law Hub.

Nana Yaw Kyere: GhanaMedia Investigation Raises New Questions After Teshie Disappearance

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GhanaMedia.net Investigative Desk — A new investigation by GhanaMedia.net has uncovered a disturbing account surrounding the disappearance of phone dealer Nana Yaw Kyere, popularly known as Dinero or Terry, with a close friend based in Germany claiming that the missing man may have died by suicide following an emotional crisis reportedly connected to a woman.

Nana Yaw Kyere missing person notice and evidence reviewed by GhanaMedia
Nana Yaw Kyere, also known as Dinero or Terry, was publicly reported missing after travelling to Teshie.

The development comes after Nana Yaw’s disappearance sparked widespread concern among his family, friends and colleagues. A missing-person notice circulated publicly identifying him and appealing for information about his whereabouts.

GhanaMedia.net has spoken directly with a person described as a very close friend of Nana Yaw who is currently living in Germany. According to the friend, information received outside Ghana has led him to believe that Nana Yaw is no longer alive and that his death was self-inflicted.

The friend further linked the alleged suicide to an emotional situation involving a woman. However, GhanaMedia.net has not independently established the identity of the woman, the precise nature of the relationship, or whether the relationship was a direct cause of Nana Yaw’s reported death.

What the GhanaMedia investigation found

The material reviewed by GhanaMedia includes social-media content and a WhatsApp conversation involving a close associate of Nana Yaw. The conversation references the missing-man case and includes an exchange concerning a woman and Nana Yaw’s reported situation.

One of the screenshots contains the statement: “Yaw paaa… Lost your life over a … woman bro”. GhanaMedia has preserved the context of the message but does not treat the statement itself as proof of the circumstances or cause of death.

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A blurred image of a woman appearing in material reviewed during the GhanaMedia investigation. GhanaMedia is withholding her identity because the circumstances surrounding the case have not been officially established.

The material also includes a WhatsApp exchange in which the correspondent confirms that the discussion concerns the missing man. Another message describes the woman as a “very close family friend.”

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WhatsApp correspondence reviewed by GhanaMedia in connection with the disappearance of Nana Yaw Kyere.

The Teshie disappearance

Nana Yaw Kyere was reported missing after travelling to Teshie in Accra in connection with a phone business transaction. Reports surrounding the case said he had communicated with an associate from Teshie and that unusual messages were sent from his phone.

According to accounts published during the initial disappearance, a message allegedly claimed that Nana Yaw had been “set up” by a girl in a room. A photograph and location were reportedly shared before later disappearing from the WhatsApp conversation.

His Honda Civic, bearing registration number DV B9055, also became part of the investigation. Subsequent reports indicated that the vehicle had been located and that suspects had been arrested in connection with the disappearance.

What remains unclear

The most important question remains unanswered: what exactly happened to Nana Yaw Kyere after he travelled to Teshie?

While GhanaMedia’s source in Germany maintains that Nana Yaw died by suicide and associates his reported death with emotional distress involving a woman, GhanaMedia has not seen an official death certificate, autopsy report, police statement, hospital record or family confirmation establishing that account.

GhanaMedia therefore cannot independently confirm at this stage that Nana Yaw is dead, nor can it independently establish that suicide was the cause of death.

The screenshots reviewed by GhanaMedia provide additional context surrounding the emotional narrative, but screenshots and private messages alone cannot establish a person’s cause of death.

Why GhanaMedia is publishing this investigation

The disappearance of Nana Yaw Kyere has generated significant public interest, and GhanaMedia believes the public deserves carefully examined information rather than speculation.

This investigation is based on material reviewed by the GhanaMedia investigative team and a direct conversation with a close friend of Nana Yaw who lives in Germany. The publication deliberately distinguishes between information provided by the source, material visible in the screenshots and facts independently established by public reporting.

GhanaMedia will continue to follow the case and will update this report if the Ghana Police Service, Nana Yaw’s family, medical authorities or another authoritative source confirms his status and the circumstances surrounding his disappearance.

For now, the central question remains: What happened to Nana Yaw Kyere after his disappearance in Teshie?

Editor’s note: This report concerns an unverified claim regarding a person’s death and alleged suicide. GhanaMedia does not present the cause of death as established fact and will update the story when authoritative confirmation becomes available.

Read more: Ghana News | Ghana News Live | Top Stories | Policy & Law Hub

Majorito Totorino: From Comedy to Digital Influence

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From web comedy to a major digital presence, the Togolese entertainer’s journey shows how online influence can extend beyond entertainment.

Majorito Totorino, born Agodzro Komla Samuel, has built a career spanning more than a decade, evolving from a performer focused on everyday comedy into a prominent digital creator with a large following across social media platforms.

Born in Kpalimé and raised in Tsévié, Togo, Majorito reportedly began his career on May 5, 2010, during a convention performance. His journey has since included stage performances, short-form digital comedy, brand collaborations and recognition within the Togolese entertainment industry.

His style is rooted in observations of everyday life and direct comedy designed to connect with audiences both offline and on digital platforms. Media profiles have also highlighted his admiration for Nigerian comedian Sabinus and the influence of West African comedy on his creative direction.

By 2023, his growing visibility had attracted commercial opportunities, including a partnership with Moov Africa Togo, while his name was also linked to a Kora Awards nomination. These developments marked another stage in his transition from traditional entertainment into the rapidly expanding digital creator economy.

A DIGITAL AUDIENCE OF MILLIONS

Majorito’s online presence has become one of the most significant parts of his public profile. According to third-party audience data cited in the September 2026 press dossier, his TikTok account had approximately 2.4 million followers, while his YouTube channel had about 147,000 subscribers.

Additional third-party data cited in the dossier indicated more than 60 million TikTok likes and more than 16 million cumulative YouTube views. The figures are snapshots and can change over time, but they illustrate the scale of the audience he has built through digital content.

The growth also reflects a wider transformation in African entertainment, where creators can use short-form video and social platforms to develop audiences that extend beyond traditional television, radio and live performances.

For readers following developments across the African digital economy, Ghana News, Ghana News Live and Top Stories continue to provide coverage of major developments across the continent.

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Majorito Totorino has built a large digital following through comedy and online content.

Majorito Totorino has built a large digital following through comedy and online content.

WHEN THE DIGITAL COMMUNITY MOBILISED

In 2026, Majorito’s public story took a more personal turn when reports emerged about a health challenge and the need for medical support. According to the press dossier, publications by Öri Infos and Actu Lomé reported that an appeal for assistance was made after he experienced symptoms including palpitations and significant fatigue.

The reports cited in the dossier said an initial fundraising target of approximately 2.5 million CFA francs was quickly surpassed, with more than 4 million CFA francs reportedly raised through the mobilisation of bloggers, content creators, friends and members of his online community.

The episode demonstrated how a digital audience can become an active community when a creator faces circumstances requiring support. It also brought renewed attention to the relationship between African digital personalities and the audiences that follow them every day.

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Majorito Totorino’s 2026 journey included a major mobilisation of support from his digital community.

FROM ENTERTAINER TO DIGITAL INFLUENCER

Majorito’s trajectory now extends beyond comedy. The press dossier notes that in May 2024, Vanguard reported his designation as an ambassador for Togolese youth by the Association of Young Togolese in the Diaspora. The same coverage highlighted his interest in promoting emerging talents and contributing to the creative ecosystem.

That development reflects the changing role of successful digital creators, whose influence can increasingly extend into youth engagement, entertainment, brand partnerships and community mobilisation.

His story also demonstrates how consistency can shape a digital career. A journey that reportedly began in 2010 has developed into a substantial online presence more than a decade later, with millions of followers and a community capable of mobilising significant resources when needed.

WHAT MAJORITO TOTORINO’S JOURNEY REPRESENTS

Majorito Totorino’s career offers a snapshot of the growing influence of African digital creators. His rise has combined traditional performance, short-form video, social media distribution, commercial partnerships and community engagement.

From Kpalimé and Tsévié to a digital audience extending far beyond Togo, his career illustrates how the internet has created new pathways for African entertainers to build recognisable brands and maintain direct relationships with audiences.

As Africa’s creator economy continues to expand, Majorito’s decade-long journey provides another example of how persistence, relatable storytelling and digital distribution can transform an entertainer’s reach.

Read also about Nihtael here.

For more developments across Ghana and Africa, follow Ghana News, explore Ghana News Live, visit Top Stories and explore the Policy & Law Hub.

IFC Managing Director Visits Kwame Nkrumah Memorial Park, Highlights Heritage Tourism and Jobs in Ghana

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Ghana’s cultural heritage remains an important part of the country’s tourism economy, attracting visitors while supporting businesses, livelihoods and employment opportunities.

Makhtar Diop, Managing Director of the International Finance Corporation (IFC), has visited the Kwame Nkrumah Memorial Park in Accra, highlighting the importance of Ghana’s heritage sites to tourism, investment and job creation.

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IFC Managing Director Makhtar Diop during his visit to the Kwame Nkrumah Memorial Park.

The visit brought attention to the role of heritage preservation in strengthening Ghana’s tourism sector and creating opportunities for businesses and communities connected to the industry.

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Makhtar Diop at the Kwame Nkrumah Memorial Park in Accra.

The Dr. Kwame Nkrumah Memorial and Mausoleum Park is one of Ghana’s significant cultural and historical attractions. The site commemorates Ghana’s first president, Dr. Kwame Nkrumah, and his contribution to the country’s independence and the wider African liberation movement.

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The Kwame Nkrumah Memorial Park remains an important heritage attraction in Accra.

Investment in cultural and heritage tourism can create opportunities across hospitality, transportation, entertainment, retail and other sectors that depend on visitor activity.

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Heritage tourism forms part of Ghana’s broader tourism and economic development landscape.

Heritage Tourism and Economic Opportunities

Ghana’s heritage attractions provide opportunities to connect cultural preservation with tourism development and private-sector activity. Greater visitor engagement can support businesses operating around major tourist destinations while creating employment opportunities for local communities.

The Kwame Nkrumah Memorial Park continues to serve as both a historical landmark and a destination for visitors interested in Ghana’s political and cultural history.

The visit by the IFC Managing Director underscores the connection between heritage, tourism and wider economic development, particularly as Ghana seeks to strengthen sectors capable of generating sustainable employment and investment.

For more stories, visit Ghana News, Ghana News Live, Top Stories and the Policy & Law Hub.

IFC and LMI Holdings Expand Partnership to Power Ghana’s Industrial Growth 

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Renewable energy infrastructure serving businesses in the Tema and Dawa Industrial Zones is expanding through a new phase of the partnership between IFC, a member of the World Bank Group, and LMI Holdings.  

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Makhtar Diop, IFC Managing Director (Left) and Kojo Aduhene, the Chief Executive Officer of LMI Holdings (middle) in a group photo.
 

The Solar for Industries (SFI) project will provide more reliable and sustainable power to industrial customers. More than 100 businesses across manufacturing, agro-processing, logistics, and other industries operating within the two industrial zones will benefit. The project is also expected to create approximately 250 direct as well as an estimated 500 indirect jobs during construction and sustain 19 permanent operational jobs post construction. 

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Stakeholders present at the signing of agreement between IFC and LMI Holdings.

The US$39.5 million financing package will support the completion of the initial 100 MW phase of a 200 MW solar photovoltaic project located in the Dawa Industrial Zone. The financing represents the second tranche of a US$100 million facility, following a first tranche of US$21 million committed by IFC in FY24 and disbursed in FY25. 

Powering Industrial Growth and Competitiveness 

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Makhtar Diop, IFC Managing Director(right) and Kojo Aduhene, Chief Executive Officer of LMI Holdings(left) at the signing of agreement between IFC and LMI Holdings.

Reliable and affordable energy is essential to Ghana’s efforts to expand manufacturing and increase local value addition. By supplying renewable power to industrial customers, the solar facility will help businesses decarbonize their manufacturing value chains, operate more efficiently, expand their activities, and invest with greater confidence. 

The investment complements LMI’s integrated infrastructure across the Tema and Dawa Industrial Zones, including electricity, water, logistics, and digital services. It also aligns with Ghana’s National Energy Transition Framework, which promotes increased renewable energy use while balancing the country’s energy security and socio-economic development needs. 

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Makhtar Diop, IFC Managing Director, Koko Aduhene, the Chief Executive Officer of LMI Holdings and other officials touring the LMI facility.

Mobilizing Capital for Sustainable Infrastructure 

The financing package brings together IFC’s own capital, support from the International Development Association’s Private Sector Window, and directly mobilized private capital. Combining these resources increases the financing available to complete the solar facility while helping to improve its affordability. 

The investment builds on an earlier IFC-LMI partnership that supported the development of a 16.82 MW rooftop solar facility at the Tema Industrial Zone and a 11,000-cubic-metre-per-day water treatment plant at the Dawa Industrial Zone. The rooftop solar facility is the largest operating installation of its kind in Africa.

EOCO Attempts to Arrest Manhyia South MP at Accra High Court

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There was a dramatic confrontation at the Accra High Court on Wednesday, September 23, 2026, after officials of the Economic and Organised Crime Office (EOCO) attempted to arrest the Member of Parliament for Manhyia South, Nana Agyei Baffour Awuah.

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EOCO Attempts to Arrest Manhyia South MP at Accra High Court 22

The incident occurred shortly after proceedings in the bail application of Salomey Baffoe Awiti, whom Baffour Awuah is representing as counsel. The bail hearing was subsequently adjourned to Thursday, September 24, after the prosecution requested more time to respond.

Videos from the court premises showed a confrontation involving the MP and a woman identified as an EOCO official, followed by Baffour Awuah leaving the premises in his vehicle as people gathered around him.

EOCO later confirmed that its officers had attempted to arrest the Manhyia South MP in connection with an ongoing investigation. The agency said Baffour Awuah had been invited on two occasions in February 2026 to assist with the investigation but did not honour the invitations.

According to EOCO, the attempted arrest was part of steps taken to secure his attendance in accordance with the law. The agency said the arrest was not completed after the situation escalated and officers assessed that continuing could have endangered public safety.

EOCO also said it recognises the constitutional privileges and immunities afforded Members of Parliament and would conduct its operations within the Constitution and applicable laws. The agency maintained that parliamentary membership does not automatically terminate an investigation or place an individual beyond the reach of the law.

Baffour Awuah, however, gave a different account of the incident. Speaking to journalists at Parliament, he said the woman who approached him did not provide identification or evidence of her authority when he requested it. He also said she could not produce an arrest warrant when he asked to see one.

The MP said he became concerned for his safety and decided to drive away from the court premises and proceed to Parliament. He described the incident as an attempted forced arrest and said his actions were intended to protect himself, his constituents, his family and his client.

The incident is connected to a wider investigation surrounding the “Ghana Jollof” TikTok account and the case involving Salomey Baffoe Awiti. Baffoe is facing a charge of abetment of crime linked to the alleged publication of false information associated with the account. The allegations against her remain subject to the ongoing court proceedings.

EOCO has said it will review the circumstances surrounding Wednesday’s incident, including available video evidence, before deciding on its next steps.

Telecel Ghana Launches FUNDiT Crowdfunding Platform

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Telecel Ghana Launches FUNDiT Crowdfunding Platform

Telecel Mobile Financial Services, operators of Telecel Cash, has launched FUNDiT, a crowdfunding platform designed to help individuals, groups and organisations raise funds for various projects and causes.

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Telecel Ghana Launches FUNDiT Crowdfunding Platform 24

Managing Director for Telecel Cash and Digital Transformation, Philip Amoateng, said FUNDiT forms part of Telecel’s broader focus on developing crowdfunding solutions for everyday challenges faced by individuals, groups and organisations.

“Our goal with FUNDiT is to make crowdfunding seamless and hassle-free. Beyond that, it’s a platform that guarantees your money is secure,” Amoateng said, adding that the platform is designed to turn individual contributions into collective impact.

According to Telecel, FUNDiT is built around Trust, Transparency, and Technology. Social causes submitted to the platform are subject to verification, with supporting documents including medical reports, school letters, community leader endorsements, photos and videos required as evidence.

Organisations such as NGOs are also subjected to a two-step vetting process involving business registration verification and founder Know Your Customer (KYC) checks using the Ghana Card.

The platform is open to everyone regardless of their mobile network or location. Beyond social and community causes, FUNDiT can be used for fundraising for alumni and family contributions, weddings, funerals, parties, community projects and corporate social responsibility campaigns.

Contributions can be made through all mobile money networks, including Telecel Cash, as well as bank cards and other available payment channels locally and internationally.

Dr. Ellen Ohene-Afoakwa, Managing Executive for Corporate and Investment Banking at Absa Bank, FUNDiT’s banking partner, said the partnership reflects the bank’s commitment to developing innovative solutions that expand access, empower people and foster inclusive communities.

AppsNmobile Solutions, the Ghanaian fintech company that developed the platform, is based in Accra and is licensed by the Bank of Ghana as an enhanced payment service provider. The company said the platform is intended to make it easier for people to support individuals, families, organisations and causes that matter to them.

FUNDiT is now available to the public, allowing individuals, groups, businesses and organisations to create campaigns or support causes through the platform.

Blakk Rasta Responds to Ghana Jollof Comment Over Clothing Remark

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A comment attributed to reggae musician and broadcaster Blakk Rasta about Ghana Jollof has sparked attention online after a graphic circulated on social media carrying a strongly worded response to him.

The graphic, dated September 23, 2026, attributes the following statement to Ghana Jollof:

“You wear oversize GTP trousers because of your hernia. Don’t bring yourself else you will see what I will do to you.”

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Blakk Rasta Responds to Ghana Jollof Comment Over Clothing Remark 26

The statement appears in a post featuring images of Ghanaian food, Blakk Rasta and Ghana Jollof, with the exchange presented as a public dispute.

The graphic further identifies the statement as coming from Ghana Jollof and frames it as a response to an earlier remark concerning Blakk Rasta’s clothing.

However, GhanaMedia.net has not independently verified the original source, context or authenticity of the statement shown in the graphic. The claim about a medical condition should therefore be treated as an allegation attributed to the circulating post rather than established fact.

Blakk Rasta is a Ghanaian reggae musician and radio personality who has been publicly associated with commentary on Ghanaian culture and social issues. 

The latest exchange has drawn attention because it combines a debate over Ghanaian food with personal remarks directed at a well-known media personality.

Further verification from the individuals involved or the original broadcast/video would be required to establish the full context of the exchange.